Through the course of the movie, what you may have suspected all along becomes apparent, that this melodrama of monsters doubles as a metaphor about the characters’ sometimes supernatural ability to control their sexual desires. The human-vampire-werewolf love triangle of author Stephenie Meyer’s Twilight book series continues in movie form with Eclipse, a sequel that marginally improves upon the unreserved awfulness of its immediate predecessor, New Moon, but doesn’t quite match the watchable mediocrity of the saga’s first entry, Twilight.
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